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April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Here are all the paintings of Giovanna Garzoni 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
95880 Bitch Giovanna Garzoni Bitch circa 1648(1648) Medium oil on canvas cyf
29999 Chinese Cup with Figs,Cherries and Goldfinch Giovanna Garzoni Chinese Cup with Figs,Cherries and Goldfinch mk67 Tempera on paenl 10 1/4x14 3/4in Pitti,Palatine Gallery
29998 Plate of Plums with Jasmine and Nuts Giovanna Garzoni Plate of Plums with Jasmine and Nuts mk67 Tempera on parchment 9 1/4x15 3/16in Pitti,Palatine Gallery
80859 Portrait of Vittorio Amadeo III Giovanna Garzoni Portrait of Vittorio Amadeo III 1741(1741) Medium Oil cyf

Giovanna Garzoni
Italian Baroque Era Painter, 1600-1670 was an Italian painter of the Baroque era. She was unusual for Italian artists of the time for two reasons: first, in that her themes were mainly decorative and luscious still-lifes of fruits, vegetables, and flowers, and second, because she was a woman. Her training was with an otherwise unknown painter from her native town of Ascoli Piceno. She gained substantial success at her trade in Rome, Venice, Florence (1642-1651), Naples, and Turin. She was patronized by Cassiano dal Pozzo and the wife of Taddeo Barberini, Anna Colonna. In Turin she painted for Carlo Emanuele II, Duke of Savoy. She returns to Rome in the 1650s. In 1666, Garzoni bequeathed her entire estate to the Roman painters' guild the Accademia di San Luca, on condition that they build her tomb in their church of Santi Luca e Martina. Her tomb monument by Mattia De Rossi is to the right of the entrance. Laura Bernasconi was also a woman painter of still-life flowers in Rome in the 1670s. In Rome, she would have been a contemporary of Caterina Ginnasi. It is likely that in Naples she was exposed to the still-lifes of Giovan Battista Ruoppolo and his contemporaries.
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