Raphael
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April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Alexei Harlamov
Alexei Harlamoff
oil on canvas 18¾ x 14½ in. (47.7 x 37 cm.) Date 1840-1920 cyf
ID: 92275

Alexei Harlamov Alexei Harlamoff
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Alexei Harlamov Alexei Harlamoff


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Alexei Harlamov

(or Alexej Harlamoff - Alexej Charlamoff) (1840-1925) was a Russian painter. Harlamoff paintings are signed "Harlamoff", which may be a translation he learned while studying in Paris. This does not translate into the Russian language from English.   Related Paintings of Alexei Harlamov :. | Alexei Harlamoff | Little Girl with Veil | Little Girl with Veil | Felia Litvinne | The Flower Seller |
Related Artists:
Charles Blechen
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Eugene Alexis Girardet
French Painter, 1853-1907 painted Prayer in the Desert in
Wouter Johannes van Troostwijk
1782-1810 Dutch Wouter Johannes van Troostwijk Gallery Dutch painter, draughtsman and etcher. In 1803 he was admitted to the Amsterdam Tekenacademie where he was a pupil of the director, Jurriaan Andriessen. Despite a highly successful student career that culminated in a gold medal from the Felix Meritis Society in 1807, he was unable to establish himself as a professional artist during the remainder of his very short working life in Amsterdam. Andriessen's studies from nature seem to have been an important influence; van Troostwijk was one of the earliest artists to paint en plein air. Although he looked back to 17th-century Dutch landscape art and to the work of his contemporaries, in such paintings as Landscape in Gelderland (c. 1808; Amsterdam, Rijksmus.; see NETHERLANDS, THE, fig. 21) he achieved a totally new lyricism in the rendering of atmospheric effects. The Raampoortje (1809; Amsterdam, Rijksmus.) displays a fresh colouristic touch rare in Dutch painting of this period. His Self-portrait (c. 1810; Amsterdam, Rijksmus.) is equally original in composition and colour. He also produced animal paintings in the manner of Paulus Potter, drawings and a few etchings towards the end of his life. Van Troostwijk died before his considerable talents could be recognized, and, although he has come to be seen as an important precursor of much late 19th-century Dutch painting, he had little influence on his immediate successors.






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