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April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Alfred Darjou
La Danse de la gargoulette (mk32)
huile sur toile signee 52 x 76 cm Coll part
ID: 25203

Alfred Darjou La Danse de la gargoulette  (mk32)
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Alfred Darjou La Danse de la gargoulette  (mk32)


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Alfred Darjou

1832-1874  Related Paintings of Alfred Darjou :. | St. Nicholas extension of the seats | Girl Chopping Onions | : The Destruction of Jerusalem by Titus | Model | rOrganist (mk20) |
Related Artists:
ZEILLER, Jakob Johann
German painter (b. 1708, Reutte, d. 1783, Reutte) Austrian painter. Trained initially by his father, Paul Zeiller (1658-1738), he subsequently studied in Italy (1723-32) with Sebastiano Conca and at the Accademia di S Luca in Rome, and with Francesco Solimena in Naples, then at the Kaiserliche Akademie in Vienna. From 1733 to 1743 he was a regular collaborator on Paul Troger's frescoes, contributing mainly architectural frameworks painted in the style of the Bolognese quadraturisti. He retained such frameworks in his own paintings throughout his life, even in south Germany where this was generally unusual. Troger's influence on the style of Zeiller's figures and on his iconographic repertory was such that his first independent works in Austria
Paul A.Seifert
German-born American painter b.c.1840-46 d.1921
Hesselius Gustavus
American portrait painter. 1682-1755 He was trained in Sweden as a wood-engraver, gilder and painter. In 1712 he accompanied his brother, a Lutheran pastor, to America, where he settled in Philadelphia, PA. About 1720 he moved to the Annapolis, MD, area, returning before 1730 to Philadelphia, where he lived until his death. He was one of the first European-trained painters to settle permanently in America and introduced a greater technical skill and increased realism into Colonial painting. His painterly, atmospheric style, which derived from European Baroque, contrasted with the more linear technique of American-born painters. During most of his career he was the leading painter of the Middle Colonies. In addition to mythological scenes, altarpieces and portraits of prominent individuals, Hesselius undertook utilitarian work that included painting the country seat at Springettsbury of Thomas Penn (1702-75) and the interior of the Pennsylvania State House, as well as flower-boxes,






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