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April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Anton Raphael Mengs
Portrait of Infante Antonio Pascual of Spain
Date c. 1765 Medium Oil on canvas Dimensions 84 x 68 cm (33.1 x 26.8 in) cjr
ID: 81638

Anton Raphael Mengs Portrait of Infante Antonio Pascual of Spain
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Anton Raphael Mengs Portrait of Infante Antonio Pascual of Spain

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Anton Raphael Mengs

1728-1779 Dutch Anton Raphael Mengs Gallery Mengs was born in 1728 at Usti nad Labem (German: Aussig) in Bohemia on 12 March 1728; he died in Rome 29 June 1779. His father, Ismael Mengs, a Danish painter, established himself finally at Dresden, whence in 1741 he took his son to Rome. In Rome, his fresco painting of Parnassus at Villa Albani gained him a reputation as a master painter. The appointment of Mengs in 1749 as first painter to Frederick Augustus, elector of Saxony did not prevent his spending much time in Rome, where he had married Margarita Quazzi who had sat for him as a model in 1748, and abjured the Protestant faith, and where he became in 1754 director of the Vatican school of painting, nor did this hinder him on two occasions from obeying the call of Charles III of Spain to Madrid. There Mengs produced some of his best work, and specially the ceiling of the banqueting-hall of the Royal Palace of Madrid, the subject of which was the Triumph of Trajan and the Temple of Glory. Among his pupils there was Agust??n Esteve. After the completion of this work in 1777, Mengs returned to Rome, and there he died, two years later, in poor circumstances, leaving twenty children, seven of whom were pensioned by the king of Spain. His portraits and autoportraits recall an attention to detail and insight, often lost from the grand manner paintings. Besides numerous paintings in the Madrid gallery, the Ascension and St Joseph at Dresden, Perseus and Andromeda at Saint Petersburg, and the ceiling of the Villa Albani must be mentioned among his chief works. In 1911, Henry George Percy, 7th Duke of Northumberland, possessed a Holy Family, and the colleges of All Souls and Magdalen, at Oxford, possessed altar-pieces by Mengs's hand. In his writings, in Spanish, Italian and German, Mengs has put forth his eclectic theory of art, which treats of perfection as attainable by a well-schemed combination of diverse excellences Greek design, with the expression of Raphael, the chiaroscuro of Correggio, and the colour of Titian. He would have fancied himself the first neoclassicist, while in fact he may be the last flicker of Baroque art. Or in the words of Wittkower, In the last analysis, he is as much an end as a beginning. His intimacy with Johann Joachim Winckelmann, who constantly wrote at his dictation, has enhanced his historical importance, for he formed no scholars, and the critic must now concur in Goethe's judgment of Mengs in Winckelmann und sein Jahrhundert; he must deplore that so much learning should have been allied to a total want of initiative and poverty of invention, and embodied with a strained and artificial mannerism. Mengs was famous for his rivalry with the contemporary Italian painter Pompeo Batoni.  Related Paintings of Anton Raphael Mengs :. | Self-portrait | Retrato de la Marquesa de Llano | Portrait of Richard Wilson | Night by Anton Raphael Mengs | The Judgment of Paris, painting by Anton Raphael Mengs, now in the Eremitage, St. Petersburg |
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Matthijs Maris
Dutch Painter, 1839-1917 Brother of Jacob Maris. In 1851 he was apprenticed for one year to Isaac Elink Sterk (1808-71); from 1852 to 1855 he attended classes at the Academie in The Hague, and in 1854 he joined the studio of Louis Meijer, where his brother Jacob was also working. It was due to Meijer that in 1855 he was granted a monthly allowance by Queen Sophie to continue his training in Antwerp, where he moved in with Jacob. Through his studies at the Academie, Matthijs met the German painter Georg Laves, who introduced him to the work of the 19th-century German Romantic painters, in particular Ludwig Richter.

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