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April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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CEREZO, Mateo
The Mystic Marriage of St Catherine
207 x 163 cm Museo del Prado, Madrid After his return to Madrid around 1660, Cerezo's development was rapid as a religious painter and as one of the most appealing still-life artist of the period. These abilities are already evident in his Mystic Marriage of St Catherine, where the bright colours, sparkling textures, and harmonious composition show his precocious
ID: 62368

CEREZO, Mateo The Mystic Marriage of St Catherine
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CEREZO, Mateo The Mystic Marriage of St Catherine


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CEREZO, Mateo

Spanish painter (b. ca. 1626, Burgos, d. 1666, Madrid)  Related Paintings of CEREZO, Mateo :. | Portrait of Margaret Stonborough-Wittgenstein (mk20) | Exaltation of the Cross-inhabitants of Jerusalem | Unknow work 99 | Wanderer above the Sea of Fog (mk10) | Japanese Garden |
Related Artists:
Otto Reiniger
painted Neckar landscape in 1903
PASSEROTTI, Bartolomeo
Italian Painter, 1529-1592
Pascal Dagnan-Bouveret
(January 7, 1852 - July 3, 1929), was one of the leading French artists of the academic school. He was born in Paris, the son of a tailor, and was raised by his grandfather after his father emigrated to Brazil. Later he added his grandfatheres name, Bouveret, to his own. From 1869, he studied at the Ecole des Beaux-Arts under Alexandre Cabanel and Jean-Leon Gerôme. In 1873, he opened his own studio with a fellow student Gustave-Claude-Etienne Courtois. From 1875, he exhibited at the Salon, where in 1880 he won the first-class medal for the painting An Accident, and a medal of honour in 1885 for Horses at the Watering Trough. From the 1880s, Dagnan-Bouveret along with Gustave Courtois, maintained a studio in Neuilly-sur-Seine, a fashionable suburb of Paris. By that time he was recognized as a leading modern artist known for his peasant scenes, but also for his mystical-religious compositions. His large-scale painting The Last Supper was exhibited at the Salon de Champ-de-Mars in 1896.[1] He also painted portraits for wealthy clients including the British collector George McCulloch. He was one of the first to use the then new medium of photography to bring greater realism to his paintings. In 1891, he was made an Officer of the Legion of Honour; in 1900 he became a member of the Institut de France.






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