Raphael
Raphael's Oil Paintings
Raphael Museum
April 6 or March 28, 1483 – April 6, 1520. Italian painter.

About Us
email

90,680 paintings total now
Toll Free: 1-877-240-4507

  
  

Raphael Gallery.org, welcome & enjoy!
Raphael Gallery.org
 

David Bailly
Self-portrait With Vanitas Symbols
Date 1651(1651) Medium Oil on canvas cjr
ID: 87601

David Bailly Self-portrait With Vanitas Symbols
Go Back!



David Bailly Self-portrait With Vanitas Symbols


Go Back!


 

David Bailly

(1584-1657) was a Dutch Golden Age painter. Bailly was born at Leyden in the Dutch Republic, the son of a Flemish immigrant, calligrapher and fencing master, Peter Bailly. As a draftsman, David was pupil of his father and the copper engraver Jacques de Gheyn. David Bailly apprenticed with a surgeon-painter Adriaan Verburg in Leiden and then with Cornelius van der Voort (1576-1624), a portrait painter in Amsterdam. According to Houbraken, in the winter of 1608, Bailly took his Grand Tour, travelling to Frankfurt, Nuremberg, Augsburg Hamburg, and via Tirol to Venice, and from there to Rome. On his return he spent five months in Venice, all the while working as a journeyman where he could, before crossing the alps again in 1609. On his return voyage, Bailly worked for several German princes including the Duke of Brunswick. Upon his return to the Netherlands in 1613, Bailly began painting still-life subjects and portraits, including self-portraits and portraits of his students and professors at the University of Leiden. He is known for making a number of vanities paintings depicting transience of this life, with such ephemeral symbols as flowers and candles. Bailly taught his nephews Harmen and Pieter Steenwijck.   Related Paintings of David Bailly :. | Portrait of Count Antonio Porcia t | The Golden Valley | On the Nile,Near Philae | Portrait of Lenin | Portrait of Manuel Godoy |
Related Artists:
POUSSIN, Nicolas
French Baroque Era Painter, 1594-1665 French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,
August Ahlborn
(October 11, 1796 - August 24, 1857) was a German landscape painter. Ahlborn was born in Hanover, and studied with Karl Wilhelm Wach in Berlin. He went to Italy in 1827, where he converted to Roman Catholicism, and lived in Florence, Ascoli, and Rome. He painted mainly Italian landscapes, but also some Nordic ones, as well as a few portraits and religious works. He died in Rome in 1857.
Morten Muller
(13 February 1828 - 10 February 1911) was a Norwegian landscape painter. Morten Muller was born in Holmestrand, in Vestfold County, Norway. Morten Miller began his art studies with Adolph Tidemand and Hans Gude in Desseldorf, Germany from 1847 to 1848. From 1850 he was again a student at the Art Academy in Desseldorf, with Johann Wilhelm Schirmer as a teacher. From 1850-51, Muller painted with the Swedish landscape painter Marcus Larson in Stockholm. From 1866 to 1873, Morten Muller lived in Oslo, where he taught together with Knud Bergslien, first at the art school operated by Johan Fredrik Eckersberg. Later he continued working with Knud Bergslien at the Bergslien school of Art. From 1875, when Muller returned to Desseldorf, where he lived the rest of his life. Among his landscape motifs are fjords and pine forests. He is represented with several works in the National Gallery of Norway. In 1875, Morten Muller was appointed as a painter to the Swedish Royal Court. He was knighted into the Order of Vasa in 1869 and in 1874 became an honorary member of the Royal Swedish Academy of Arts in Stockholm.






Raphael
All the Raphael's Oil Paintings




Supported by oil paintings and picture frames 



Copyright Reserved