Raphael
Raphael's Oil Paintings
Raphael Museum
April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Diego Velazquez
Meeting of Philip IV and Louis XIV at the Isle of Pheasants (df01)
Wall hanging depicting the official ceremony attended by Velazquez,who is no doubt represented by one of the noblemen on the right c 1600 Madrid,French Embassy
ID: 22613

Diego Velazquez Meeting of Philip IV and Louis XIV at the Isle of Pheasants (df01)
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Diego Velazquez Meeting of Philip IV and Louis XIV at the Isle of Pheasants (df01)


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Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet  Related Paintings of Diego Velazquez :. | Democrite (df02) | The Drunkards | Mars Resting | Portrat eines jungen Spaniers | The adoracion of the Kings Magicians |
Related Artists:
HIGHMORE, Joseph
English Painter, 1692-1780 English painter and writer. The son of a coal merchant and the nephew of Thomas Highmore (1660-1720), Serjeant-Painter to the King, he was articled to an attorney on 18 July 1707. Bored with his duties, he attended Kneller's Academy from 1713 and in 1715 abandoned law, setting up as a portrait painter in the City of London. From 1720 he attended the St Martin's Lane Academy, where he was able to study contemporary French styles in art and design, particularly that of Gravelot. He read widely and mastered Brook Taylor's system of perspective (1715). He also attended William Cheselden's anatomy lectures and contributed designs to that author's Anatomy of the Human Body (1722).
George Bernard O Neill
(1828-1917). Irish genre painter
Palmer, Samuel
English, 1805-1881 English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery.






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