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April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Franz Xaver Winterhalter
Helene Louise Elizabeth de Mecklembourg Schwerin, Duchess D'Orleans with Prince Louis Philippe Alber
1839
ID: 00600

Franz Xaver Winterhalter Helene Louise Elizabeth de Mecklembourg Schwerin, Duchess D'Orleans with Prince Louis Philippe Alber
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Franz Xaver Winterhalter Helene Louise Elizabeth de Mecklembourg Schwerin, Duchess D'Orleans with Prince Louis Philippe Alber


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Franz Xaver Winterhalter

German 1805-1873 Franz Xaver Winterhalter Galleries German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich.  Related Paintings of Franz Xaver Winterhalter :. | Princess Alice | Two Sicilies | Countess Alexander Nikolaevitch Lamsdorff | Baronne Henri Hottinguer, nee Caroline Delessert | Prince Albert (mk25 |
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Amico Aspertini
(c. 1474 - 1552) is an Italian Renaissance painter whose complex, eccentric, and eclectic style anticipates Mannerism. He is considered among the first of the Bolognese School of painting. He was born in Bologna to a family of painters (Guido Aspertini and Giovanni Antonio Aspertini, his father), and studied under masters such as Lorenzo Costa and Francesco Francia. He is briefly documented in Rome between 1500 - 1503, returning to Bologna and painting in a style influenced by Pinturicchio. In Bologna in 1504, he joined Francia and Costa in painting frescoes for the newly restored Oratory of Santa Cecilia in San Giacomo Maggiore, a work commissioned by Giovanni II Bentivoglio. In 1507-09, he painted a fresco cycle in San Frediano in Lucca. Asperini painted in 1508-1509 the splendid frescoes in the Chapel of the Cross in the Basilica di San Frediano in Lucca. Aspertini was also one of two artists chosen to decorate a triumphal arch for the entry into Bologna of Pope Clement VII and Emperor Charles V in 1529.
Theodore Wores
American Painter, ca.1859-1939,was an American painter born in San Francisco. Wores began his art training at age twelve in the studio of Joseph Harrington, who taught him color, composition, drawing and perspective. When the San Francisco School of Design opened in 1874, Wores was one of the first pupils to enroll. After one year at that school under the landscape painter Virgil Macey Williams, he continued his art education at the Royal Academy in Munich where he spent six years. He also painted with William Merritt Chase and Frank Duveneck. Wores returned to San Francisco in 1881. He went to Japan for two extended visits and had successful exhibitions of his Japanese paintings in New York and London, where he became friends with James Abbott McNeill Whistler and Oscar Wilde. He visited Hawaii and Samoa in 1901-1902 and established a home in San Francisco about 1906. He visited Hawaii for a second time in 1910?C1911. For the remainder of his career, Wores painted the coast on the western edge of San Francisco. He died in San Francisco in 1939. His most famous work is The Lei Maker, which is on permanent display at the Honolulu Academy of Arts.
Lilla Cabot Perry
American Impressionist Painter, 1848-1933 was an American artist who worked in the Impressionist style, rendering portraits and landscapes in the free form manner of her mentor, Claude Monet. Perry was an early advocate of the French Impressionist style and contributed to its reception in the United States. Perry's early work was shaped by her exposure to the Boston school of artists and her travels in Europe and Japan. She was also greatly influenced by Ralph Waldo Emerson's philosophies and her friendship with Camille Pissarro. Although it was not until the age of thirty-six that Perry received formal training, her work with artists of the Impressionist, Realist, Symbolist, and German Social Realist movements greatly affected the style of her oeuvre. Boston native Lilla Cabot Perry was born on January 13, 1848 to Dr. Samuel Cabot, a distinguished surgeon, and Hannah Lowell Jackson Cabot. What is known of her early life reveals a childhood that allowed her the freedom of exploring her interests and creativity. Perry studied literature, language, poetry, and music. There are a few references to Perry having informal sketching sessions with her friends however she had no formal training in the arts before 1884. As a child she additionally enjoyed reading books and playing sports outdoors. Because of her family's prominence in Boston society,






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