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April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Johann Heinrich Fuseli
The Artist Moved by the Grandeur of Antique Fragments
1778-79 Red chalk on sepia wash, 415 x 355 mm Kunsthaus, Z?rich The young Henry Fuseli, in the late 1770s, portrayed himself reduced to despair before the vastness of Rome's remains. Since he had spent eight years studying in the city, his awe was doubtless exaggerated, but it was also a premonition of the powerful emotions that were to be released in his art. Author: FUSELI, John Henry Title: The Artist Moved by the Grandeur of Antique Fragments Form: graphics , 1751-1800 , Swiss , other
ID: 62501

Johann Heinrich Fuseli The Artist Moved by the Grandeur of Antique Fragments
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Johann Heinrich Fuseli The Artist Moved by the Grandeur of Antique Fragments


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Johann Heinrich Fuseli

1741-1825 Romanticism Swiss   Related Paintings of Johann Heinrich Fuseli :. | Lady Macbeth receives the daggers | Die Sunde, vom Tod verfolgt | Portrait of a Young Woman | Liegende Nackte und Klavierspielerin | The Nightmare |
Related Artists:
Berlinghiero Berlinghieri
Italian painter c.1175/1180-pre-1236
Aubrey Beardsley
English Art Nouveau/Golden Age Illustrator, 1872-1898 English draughtsman and writer. He was brought up in Brighton, in genteel poverty, by his mother. She gave her children an intensive education in music and books, and by the time he was sent to boarding-school at the age of seven Beardsley was exceptionally literate and something of a musical prodigy. He was also already infected with the tuberculosis that eventually killed him. There is evidence that his talent for drawing was highly developed by the age of ten, and he was subsequently encouraged by his housemaster at Brighton Grammar School, Arthur William King. Beardsley left school at the end of 1888, and in January 1889 became a clerk at the Guardian Life and Fire Insurance Company in the City of London. Attacks of haemorrhaging of the lungs forced him to abandon his job at the end of 1889. On the strength of a short story sold to Tit Bits he tried to pursue a literary career, but when his health improved in the spring of 1890, he returned both to his job and to drawing. Final affirmation of the direction of his art came in July 1891, when he showed his work to Edward Burne-Jones, who told Beardsley: 'I seldom or never advise anyone to take up art as a profession, but in your case I can do nothing else.
Francois Lemoine
1688-1737






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