Raphael
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April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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MENGS, Anton Raphael
Charles IV as Prince
Oil on canvas Museo del Prado, Madrid.
ID: 19375

MENGS, Anton Raphael Charles IV as Prince
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MENGS, Anton Raphael Charles IV as Prince


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MENGS, Anton Raphael

German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime   Related Paintings of MENGS, Anton Raphael :. | Self-Portrait | Portrat eines Architekten | Charles IV as Prince | Glory of St Eusebius | Johann Joachim Winckelmann |
Related Artists:
Domenico Quaglio
(1787-1837) was a German painter, engraver, stage designer, and architect. He was the second son of Giuseppe Quaglio and part of the large Quaglio pedigree of Italian artists involved in architecture, indoor fresco decoration, and scenography for the court theaters. He known as a landscape and architectural painter/decorator, including quadratura. He was born in Munich. He was taught perspective and scene-painting by his father, and engraving by Mettenleiter and Karl Hess. In 1819 he resigned his post as scene-painter, and occupied himself only with architecture, for which he obtained subjects in the Netherlands, Italy, France, and England. As architect in charge, Domenico Quaglio was responsible for the neogothic style of the exterior design of Hohenschwangau Castle, summer and hunting residence of King Maximilian II of Bavaria, son of King Ludwig I of Bavaria and father of King Ludwig II. Quaglio died at Hohenschwangau in 1837.
Louis Michel Eilshemius
(February 4, 1864 - December 29, 1941) was an American painter, primarily of landscapes and nudes. Although he was academically trained, much of his work has the unself-aware character of naive art. Eilshemius was a grandson of Swiss painter Louis-Leopold Robert. Born near Newark, New Jersey into a wealthy family, his earliest education was in Europe, after which he spent two years at Cornell University before his art studies began at the Art Students League of New York. He subsequently studied under Bouguereau at the Academie Julian in Paris, and traveled widely in Europe, Africa and the South Seas, returning to the family brownstone in New York City where he was to live for the rest of his life.
MAZZOLINO, Ludovico
Italian Painter, 1480-1528 .Italian painter. He may have served an apprenticeship with Ercole de' Roberti (Morelli) before he left Ferrara to study in Bologna with Lorenzo Costa (i). The earliest surviving documentation is from 20 May 1504, when he received a first payment for frescoes (destr. 1604) in eight chapels in S Maria degli Angeli, Ferrara, commissioned by Ercole I d'Este, Duke of Ferrara and Modena. Between 1505 and 1507 he was paid for works, presumably decorative, in the Este guardaroba and the camerini of the Duchessa Lucrezia Borgia in Ferrara Castle (untraced). His first surviving dated painting is the triptych of the Virgin and Child with SS Anthony and Mary Magdalene






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