was a painter known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles Nocolas de Stael was born in the family of a Russian Lieutenant General, Baron Vladimir Stael von Holstein, (a member of the Stael von Holstein family, and the last Commandant of the Peter and Paul Fortress) and his wife, Olga Sakhanskaya. De Stael's family was forced to emigrate to Poland in 1919 because of the Russian Revolution; Both, his father and stepmother, would die in Poland and the orphaned Nicolas de Stael would be sent with his older sister Marina to Brussels to live with a Russian family (1922). He eventually studied art at the Brussels Acad??mie royale des beaux-arts (1932). In the 1930s, he travelled throughout Europe, lived in Paris (1934) and in Morocco (1936) (where he first met his companion Jeannine Guillou, also a painter and who would appear in some of his paintings from 1941-1942) and Algeria. In 1936 he had his first exhibition of Byzantine style icons and watercolors at the Galerie Dietrich et Cie, Brussels. He joined the French Foreign Legion in 1939 and was demobilized in 1941. Related Paintings of Nicolas de Stael :. | Figure | Footballer | The Study of Nude | Abstract Figure | Abstract Figure |
Related Artists:Pierre de Valenciennes
Toulouse 1750-Paris 1819
.French painter. He trained at the academy in Toulouse under the history painter Jean-Baptiste Despax (1709-73). In 1769 he went to Italy for the first time, with Mathias Du Bourg, a councillor at the Toulouse parliament. Du Bourg introduced him to Etienne-Fran?ois, Duc de Choiseul, a keen patron of the arts, who in turn recommended him to Gabriel-Fran?ois Doyen, one of the leading history painters in Paris, whose studio he entered in 1773. Doyen gave his pupil a sense of the elevated ideals of history painting but was also sympathetic to the lesser genre of landscape. Valenciennes presumably frequented Choiseul's country seat at Chanteloup, near Amboise, meeting there the landscape painters Hubert Robert and Jean Hoeel, both proteg's of Choiseul. His early interest in the native landscape can be seen in his sketchbooks (Paris, Louvre), especially one dated 1775 that contains drawings made at Amboise, Compiegne and FontainebleauMaster of the Saint Ursula Legend
Flemish Northern Renaissance Painter, active 1475-1500Alfred Edward Emslie
Alfred Edward Emslie (1848 London -1918) was an English genre and portrait painter, and photographer, living at The Studio, 34, Finchley Road, N. W.
He was the son of the engraver, John Emslie, and brother of John Phillipps Emslie, the figure painter. Married to miniature painter Rosalie M. Emslie, they had a daughter, Rosalie Emslie, who became a figure, portrait and landscape painter. Emslie turned increasingly to portraiture later in life. He had a great passion for the Orient, and spent three months exploring Japan. He was a elected an associate of the Royal Society of Painters in Water Colours in 1888 and a member of the Royal Society of Portrait Painters in 1892.