Raphael
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April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Raphael Coxie
The Last Judgment.
1588-1589 Medium oil on panel Dimensions 300 x 369 cm (118.1 x 145.3 in) cyf
ID: 90314

Raphael Coxie The Last Judgment.
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Raphael Coxie The Last Judgment.


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Raphael Coxie

painted The Last Judgment in 1588  Related Paintings of Raphael Coxie :. | Collar stone figure | with the hunting trophy | The Martyrdom of St.Justina | On the Ocean Shore | Arrival of a Sorcere at a Peasant Wedding |
Related Artists:
Antonio Fontanesi
23 February 1818 - 17 April 1882) was an Italian painter who lived in Meiji period Japan between 1876 and 1878. He introduced European oil painting techniques to Japan, and exerted a significant role in the development of modern Japanese yega (Western style) painting. He is known for his works in the romantic style of the French Barbizon school. Fontanesi was born in Reggio Emilia, Emilia-Romagna, and trained with the landscape painters Prospero Minghetti and Vincenzo Carnevali. From 1841 to 1846 he made theatre sets and began painting landscapes. In 1850, he moved to Geneva, where he stayed until 1865. His main area of interest was landscape painting, which he expanded on after visiting the 1855 Exposition Universelle in Paris. He participated in important artistic exhibitions, displaying his works in Lyon, Turin, Milan, Florence, Genoa and the Triennial Exhibition of Fine Art in Bologna. He was nominated professor at the Academy of Lucca, but moved to Turin when a chair as a landscape professor was created specially for him at the Accademia Albertina in Turin from 1869 to 1876.
Nicholas Hilliard
1547-1619 British Nicholas Hilliard Galleries Nicholas Hilliard (c. 1547?CJanuary 7, 1619) was an English goldsmith and limner best known for his portrait miniatures of members of the courts of Elizabeth I and James I of England. He mostly painted small oval miniatures, but also some larger cabinet miniatures, up to about ten inches tall, and at least the two famous half-length panel portraits of Elizabeth. He enjoyed continuing success as an artist, and continuing financial troubles, for forty-five years, and his paintings still exemplify the visual image of Elizabethan England, very different from that of most of Europe in the late sixteenth century. Technically he was very conservative by European standards, but his paintings are superbly executed and have a freshness and charm that has ensured his continuing reputation as "the central artistic figure of the Elizabethan age, the only English painter whose work reflects, in its delicate microcosm, the world of Shakespeare's earlier plays.
oranien
han mordades 1584 pa uppdrag av filip . i ett hus som idag ar museum over det nederlandska frihetskriget se






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