Raphael
Raphael's Oil Paintings
Raphael Museum
April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Raphael
Michael Vanquishing Satan
1518 Type Oil transferred from wood to canvas Dimensions 268 cm x 160 cm cyf
ID: 94738

Raphael Michael Vanquishing Satan
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Raphael Michael Vanquishing Satan


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Raphael

Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.  Related Paintings of Raphael :. | The Holy Family Known as the Little Holy Family (mk05) | The Fire in the Borgo | Angel | The Virgin and Child with the infant Saint John the Baptist | Portrait of Elisabetta Gonzaga, |
Related Artists:
Carlo Dolci
Italian Baroque Era Painter, 1616-ca.1686 was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions. He was born in Florence, on his mother's side the grandson of a painter. Although he was precocious and apprenticed at a young age to Jacopo Vignali, Dolci was not prolific. "He would take weeks over a single foot", according to his biographer Baldinucci. His painstaking technique made him unsuited for large-scale fresco painting. He painted chiefly sacred subjects, and his works are generally small in scale, although he made a few life-size pictures. He often repeated the same composition in several versions, and his daughter, Agnese Dolci, also made excellent copies of his works. Dolci was known for his piety. It is said that every year during Passion Week he painted a half-figure of the Saviour wearing the Crown of Thorns. In 1682, when he saw Giordano, nicknamed "fa presto" (quick worker), paint more in five hours than he could have completed in months,
Ralph Barton
American Artist, 1891-1931 American Artist, 1891-1931,1921 Vanity Fair caricature; use cursor to identify figuresBarton's first caricature was of Thomas Hart Benton; his last, of Charlie Chaplin. In between he knew everyone and drew everyone in the social and culture scene of New York. Some of his most famous works were group drawings, and perhaps the most noted was a stage curtain created for a 1922 revue, depicting an "audience" of 139 faces looking back at the real theater-goers. "The effect was electrifying, and the applause was great," said another caricaturist of the era, Aline Fruhauf. He also directed a short film, Camille, described by an IMDB contributor as a "home movie version" of the Dumas novel with a cast of his many actor, artist, and other celebrity friends.This movie was made available as a bonus in a 2003 release of Chaplin's A Woman of Paris. At the height of his popularity, Barton enjoyed not only the acquaintance of the famous, but a solid and impressive income. All of this concealed a terribly unhappy life. He was beset by manic-depressive disorder, and each of his four marriages ended in divorce. A self-portrait, painted around 1925 and modeled on an el Greco.
John Ballantyne
British Portrait painter , (1815-1897) was an English ornithologist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" was pivotal in the inception of Darwin's theory of evolution by natural selection, though they are barely mentioned in Charles Darwin's book, On the Origin of Species.Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy and in 1824 he set himself up in business in London as a taxidermist






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