Raphael
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Raphael Museum
April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Thomas Pakenham
Charles James Fox,Leader of the Whig Opposition and Grattan-s most important ally in London
mk197 But both men had now decide that it was a waste of breath to speak in their respective Parliaments
ID: 49377

Thomas Pakenham Charles James Fox,Leader of the Whig Opposition and Grattan-s most important ally in London
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Thomas Pakenham Charles James Fox,Leader of the Whig Opposition and Grattan-s most important ally in London


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Thomas Pakenham

19 October 1864?C21 August 1915  Related Paintings of Thomas Pakenham :. | John Sheares,radical barrister | The Battle of Arklow on 9 June,the Turning point of the Wexford rising | Dublin harbour with the domed Custom House in the background | Wolfe Tone in the Uniform of a French Adjutant general as he apeared at his court-martial in Dublin | In Mid-july the survivors of the Wexford and Wicklow armies tried to cut their way through to the Midlands |
Related Artists:
Aleksander Orlowski
Aleksander Orłowski Aleksander Orłowski (March 9, 1777 - March 13, 1832) was a Polish painter and sketch maker, pioneer of lithography in the Russian Empire. Orłowski was born in 1777 in Warsaw to a tavern-keeper. In his early childhood he became known as a prodigy and soon Izabela Czartoryska financed his first classes of painting with the notable artist Jan Piotr Norblin. In 1793 Orłowski joined the Polish Army and fought in the Kościuszko Uprising against Imperial Russia and Prussia, but was wounded and returned to Warsaw for further studies, financed by Prince Jezef Poniatowski. He studied with many notable painters of the epoch, among them Norblin, Marcello Bacciarelli and Wincenty Lesserowicz. In 1802, after the Partitions of Poland, he moved to Russia, where he became one of the pioneers of lithography. Among his works are countless sketches of everyday life in Poland and Russia, as well as scenes of the Kościuszko Uprising and other Polish wars.
Li Ti
1110-97
Panfilo Nuvolone
(1581-1651) was an Italian painter of the Mannerist period, who painted both religious and still life topics, active in Cremona and Mantua. Born to a Mantuan gentleman, he was the father of a family of Cremonese painters. In that town, he apprenticed with Giovanni Battista Trotti (known as il Malosso). Afterwards he moved to Milan, where frescoe church ceilings, and painted altarpieces and still lifes. One of his few documented still lifes depict a bowl of peaches, and recalls the near-contemporary paintings of fruit bowls in Milan, including the 1594-98 painting in the Ambrosiana by Caravaggio and similarly themed paintings by Fede Galizia. His son, Carlo Francesco Nuvolone, also a prominent in painter in Lombardy. Panfilo's younger son Giuseppe Nuvolone also a painter. Giuseppe's son Carlo was a mediocre quadratura specialist active mainly around Cremona.






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