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April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Anton Raphael Mengs
Helios as Personification of Midday
Date ca. 1765 cyf
ID: 84087

Anton Raphael Mengs Helios as Personification of Midday
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Anton Raphael Mengs Helios as Personification of Midday


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Anton Raphael Mengs

1728-1779 Dutch Anton Raphael Mengs Gallery Mengs was born in 1728 at Usti nad Labem (German: Aussig) in Bohemia on 12 March 1728; he died in Rome 29 June 1779. His father, Ismael Mengs, a Danish painter, established himself finally at Dresden, whence in 1741 he took his son to Rome. In Rome, his fresco painting of Parnassus at Villa Albani gained him a reputation as a master painter. The appointment of Mengs in 1749 as first painter to Frederick Augustus, elector of Saxony did not prevent his spending much time in Rome, where he had married Margarita Quazzi who had sat for him as a model in 1748, and abjured the Protestant faith, and where he became in 1754 director of the Vatican school of painting, nor did this hinder him on two occasions from obeying the call of Charles III of Spain to Madrid. There Mengs produced some of his best work, and specially the ceiling of the banqueting-hall of the Royal Palace of Madrid, the subject of which was the Triumph of Trajan and the Temple of Glory. Among his pupils there was Agust??n Esteve. After the completion of this work in 1777, Mengs returned to Rome, and there he died, two years later, in poor circumstances, leaving twenty children, seven of whom were pensioned by the king of Spain. His portraits and autoportraits recall an attention to detail and insight, often lost from the grand manner paintings. Besides numerous paintings in the Madrid gallery, the Ascension and St Joseph at Dresden, Perseus and Andromeda at Saint Petersburg, and the ceiling of the Villa Albani must be mentioned among his chief works. In 1911, Henry George Percy, 7th Duke of Northumberland, possessed a Holy Family, and the colleges of All Souls and Magdalen, at Oxford, possessed altar-pieces by Mengs's hand. In his writings, in Spanish, Italian and German, Mengs has put forth his eclectic theory of art, which treats of perfection as attainable by a well-schemed combination of diverse excellences Greek design, with the expression of Raphael, the chiaroscuro of Correggio, and the colour of Titian. He would have fancied himself the first neoclassicist, while in fact he may be the last flicker of Baroque art. Or in the words of Wittkower, In the last analysis, he is as much an end as a beginning. His intimacy with Johann Joachim Winckelmann, who constantly wrote at his dictation, has enhanced his historical importance, for he formed no scholars, and the critic must now concur in Goethe's judgment of Mengs in Winckelmann und sein Jahrhundert; he must deplore that so much learning should have been allied to a total want of initiative and poverty of invention, and embodied with a strained and artificial mannerism. Mengs was famous for his rivalry with the contemporary Italian painter Pompeo Batoni.  Related Paintings of Anton Raphael Mengs :. | self-Portrait (nn03) | Portrait of Isabel Parreno Arce Ruiz de Alarcon y Valdes, Marchioness of Llano | Perseus Frees Andromeda | Portrait of the Duchess of Huescar | Evening |
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Henry J. Morgan
painted HMS 'Excellent' and HMS 'Illustrious' by Henry J. Morgan in 1860s
Carl Schuch
(30 September 1846 - 13 September 1903) was an Austrian painter, born in Vienna, who spent most of his lifetime outside Austria, in Germany, Italy and France. He painted primarily still lifes and landscapes. During the period 1882-94 he was based in Paris, where he was greatly impressed by the work of Claude Monet whom he described as "the Rembrandt of plein-air painting" although he was attracted most of all to Rembrandt and the artists of the Barbizon school. In 1884 and 1885 he spent the summer months in the Netherlands, studying the Dutch old masters as well as the contemporary painters of the Hague School, and filling notebooks with detailed descriptions of the colors he observed in paintings that he admired. Of all the artists belonging to the circle around Wilhelm Leibl (called the Leibl-Kreis), Schuch was the most devoted to color. His work marks the transition from the realist tradition to the modern movement in Vienna, esthetically, however, it is far from contemporary trends, and from its means and ends, comparable to Paul Cezanne (Gottfried Boehm, referring to Arnold Gehlen).
James Digman Wingfield
(1800?C1872) was an English painter who flourished from around 1835 until his death in 1872. He is mainly known for historical subjects, as well as for landscapes, portraits, and interiors. Wingfield was a member of the Royal Academy, where he displayed a number of portraits in 1835-1836. From then until 1872 he exhibited at least 38 works at the Royal Academy, 94 at the British Institution, and 41 at Suffolk Street Exhibitions (later to become the Royal Society of British Artists).He had a successful career: individual works by Wingfield were priced at around 100 pounds during his lifetime. Wingfield was a resident of London during the period that he was active and scenes of London were featured in his works. Occasionally his paintings depicted specific incidents in literarture or history; Pope was a favorite. In his later years he painted interiors and garden and park scenes, with figures in period costume. His 1849 painting of the Schönheitsgalerie, or female portrait gallery, in Hampton Court was especially well-received. The painting was used for the cover of a recent (2005) history: Tudor and Stuart Britain, 1485?C1714, by Roger Lockyer. Wingfield died in the spring of 1872; his works were sold by Christie's in July of the next year






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