Raphael's Oil Paintings
Raphael Museum
April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Peale, Raphaelle
Lemons and Sugar
1822 Oil on wood Reading Public Museum and Art Gallery, Reading, PA.
ID: 19808

Peale, Raphaelle Lemons and Sugar
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Peale, Raphaelle Lemons and Sugar

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Peale, Raphaelle

American Painter, 1774-1825 Painter, son of Charles Willson Peale. His mother was Rachel Brewer Peale. He studied painting with his father and assisted him in the museum. Raphaelle began to paint portraits professionally in 1794, but poor patronage in Philadelphia forced him to travel in the South and New England, taking silhouettes with the physiognotrace and painting portraits in oil and miniature. From about 1815 onwards, bouts of alcoholism and gout inhibited his progress. He turned to painting still-lifes, but these sold for small amounts.   Related Paintings of Peale, Raphaelle :. | Lemons and Sugar | Still Life: Strawberries Nuts | Still Life with Cake | Venus Rising from the Sea-A Deception | Melons and Morning Glories |
Related Artists:
BIONDO, Giovanni del
Italian painter, Florentine school (active 1356-1392 in Florence)
Elise Bruyere
French , Paris 1776-1842
Italian painter , 1483-1520 was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.

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