Raphael
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April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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Blanche de Castille
1837 Marble, height 154 cm Ch?teau, Versailles During the reigns of Louis XVIII Louis Philippe, many commissions were given to various artists to execute statues of great men and women who played an important role in the history of France. These statues were placed in the Ch?teau de Versailles and in the Luxembourg Gardens in Paris. This statue was placed on the first floor of the north wing of the Ch?teau. Author: ETEX, Antoine Title: Blanche de Castille Form: sculpture , 1801-1850 , French , historical
ID: 62531

unknow artist Blanche de Castille
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unknow artist Blanche de Castille


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unknow artist

  Related Paintings of unknow artist :. | Portrait of Katharina Charlotte von Pfalz-Zweibrucken | European city landscape, street landsacpe, construction, frontstore, building and architecture. 191 | Our food room in York | Lillans ultimate dabs | Still life floral, all kinds of reality flowers oil painting 30 |
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(December 23, 1840 - January 13, 1905) was an American landscape painter. He was influenced by the Barbizon school. Much of his work focuses on the landscapes of New England, where he was born. He, along with Victorian contemporaries from the White Mountain and Hudson River Schools, helped immortalize the majestic cliffs of Grand Manan in the Bay of Fundy. His painting from the island, "Pettes Cove," is illustrative of his masterful marine work. In the 1870s, he undertook several journeys to Europe and the Middle East and painted some subjects from those regions. In 1899, he was an artist on the famous Harriman Alaska Expedition. Some of his works hang in the most prominent galleries in the USA, including the Fine Arts Museums of San Francisco, the Metropolitan Museum of Art, New York, and the Smithsonian American Art Museum, Washington DC. He was a member of the Society of American Artists.
James Ensor
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.






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