Raphael's Oil Paintings
Raphael Museum
April 6 or March 28, 1483 – April 6, 1520. Italian painter.

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unknow artist
kampen mot slaveriet
ID: 68493

unknow artist kampen mot slaveriet
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unknow artist kampen mot slaveriet

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unknow artist

  Related Paintings of unknow artist :. | Old market woman | Rabbits 116 | Ritratto di Cavaliere dell'ordine Costantiniano | Sifting Shadows | Sultan Sanjar and the Old Woman |
Related Artists:
Charles leroux
French 1814-1895
Karl Bryullov
(Russian: ???????? ????́???????????? ????????????́??; 12 December 1799 ?C 11 June 1852), also transliterated Briullov or Briuloff and referred to by his friends as "The Great Karl", was a Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Karl Bryullov was born on December, 12th (23), 1799 in St. Petersburg,[1] in a family of the academician, the woodcarver and engraver Pavel Ivanovich Briullo (Brulleau, 1760??1833). He felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Bryullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Bryullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts. An anecdote concerning Briullov appeared in Leo Tolstoy's essay "Why Do Men Stupefy Themselves?". While teaching at the academy (1836?C1848) he developed a portrait style which combined a neoclassical simplicity with a romantic tendency that fused well, and his penchant for realism was satisfied with an intriguing level of psychological penetration. While he was working on the plafond of St Isaac's Cathedral, his health suddenly deteriorated. Following advice of his doctors, Briullov left Russia for Madeira in 1849 and spent the last three years of his life in Italy. He died in the village of Manziana near Rome and is buried at the Cimitero degli Inglesi there.
Blythe David Gilmour
American Painter, 1815-1865 He began his career as an itinerant portrait painter in the early 1840s and became one of the leading satirical artists in America by the beginning of the Civil War. Self-taught, from 1840 to 1850 he worked in East Liverpool, OH, and Uniontown, PA, and nearby towns and villages, painting rather stiff likenesses of the local gentry. He also carved a monumental polychrome wooden statue of Marie-Joseph, Marquis de Lafayette for the Uniontown courthouse and painted a landscape panorama of the Allegheny mountains, which he took on tour through Maryland, Pennsylvania and Ohio.

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